Clipping Mask Using Squijoo.

It seems there are some technical (possibly legal) technicalities with Squijoo at the moment, but many photographers have their templates saved and want to be able to use them.  I’m nervous about the site disappearing forever (it’s down right now) so I wanted to write a quick article about how to insert photos into the templates using the clipping mask!  You can read their article on it here, however right now all their images are down.

First, you  open the template, then using the move tool, drag and place the image directly over the picture mask layer.

PC Users: press Control+G (Photoshop CS and earlier) or Control+Alt+G (Photoshop CS2 and newer)

Mac Users: press Command+G (Photoshop CS and earlier) or Command+Option+G (Photoshop CS2 and newer).

The image will automatically clip and work perfectly in the template!

*Very important: Make sure that your photo is directly ONE layer on top of the layer named “picture mask”. The best way to do this is to first select the “picture mask” layer in your template >> then go to your photo and drag it into the template*.

-Christine
Duluth MN Portrait Photographer

How To Add Color To A Black & White Image With A Layer Mask/Photoshop Layers Explained

A Beginner’s Tutorial On How To Use Photoshop Layers, Layer Masks, And Bring Back Color To A Black And White Image (All-In-One!) With Image/Screenshot Examples
*Note:  This article might look long/hard but it’s because it’s written assuming you know nothing about how to use Photoshop so it’s just very thorough.. this is VERY easy and fast to do!

Many years ago my husband got Photoshop for me.  I was super excited.. I opened it up and was so overwhelmed I didn’t open it up again for another year!!!!  WHen I did open it up a year later, it was because I had seen an image on Facebook and someone noted on it “Edited with auto color in Photoshop”.  “Auto edit????  I can do that!”.  And I excitedly opened it back up.  Once it was re-opened I started playing around with it more and learning new things about it.  I was still very confused about how you could add color to a black and white image and my husband explained it like this: Imagine you have 2 photographs.. a color photograph, and a black and white version of the exact same photograph.  Imagine you put the black and white photograph on top of the color photograph and then take an eraser and erase away parts of the black and white image to reveal the color beneath it.  ta-da!  Like magic, I now understood the concept of Photoshop layering! The very first thing I learned how to do with layers was add a pop of color to a black and white image.  You can do it as I stated above (layer a bw image on top of a color image and use the eraser tool to erase away the bw image to reveal color) but the issue with doing it that way is.. what if you make a mistake?  What if you erase away too much?  You cannot go back to add the black and white back.  For that reason I want to teach everyone how to use a layer mask.  With a layer mask (VERY easy to do!!!!) you can remove parts of the top layer AND bring them back again!  And you can use it for endless different projects beyond a selective coloring/color pop image! I’m a very visual learner so that’s how I like to explain things as well.

^STEP ONE:  Open The Image
We’ll start with what your image looks like when you open it in Photoshop:

^STEP 2:  Duplicate Layer
This is the step where you layer 2 images on top of one another.. do do this by going to the layers palette, right click on your layer, and select “duplicate layer”.  You can also simply go to your menu on top of the screen and click “Layer>New>Layer From Background”.

^STEP 3:  Turn The Top Layer Black And White
Make sure your top layer is highlighted in the layers palette and then turn your image black and white :).  You now have a black and white image on top, and a color image on bottom.

^STEP 4:  Add A Layer Mask
This is where you add the layer mask I was mentioning earlier.. this mask will allow you to remove parts of the black and white image as well as bring back parts of the black and white image.

^STEP 5:  Select A Black Paintbrush
Your layers palette should now look like this.. the white box next to your bw image is the layer mask.  You will use the black paintbrush to remove the black and white image, and the white paintbrush to bring back the black and white image.

^STEP 6:  Verify Your Layer Mask Is Selected
If you have anything other than the layer mask selected, this will not work and the paintbrush will work normally (adding a white or black streak on the image).

^STEP 7:  Paint Anywhere You’d Like To Add Color Take your paintbrush and paint anywhere you’d like to add color!  It’s that easy!  If you run over the lines, it’s okay.. you can turn it back to black and white which we address in the next step.

STEP 8:  Select The White Paintbrush To Bring Back The Black And White Image
Change the color of your paintbrush to white and paint over anywhere you did not want to bring the color back.  It helps to scroll in very close to the image, use a brush that isn’t 100% soft, and make the edges as clean as possible.  It looks very sloppy when the color runs outside the lines.

^The image after cleaning it up with the white paintbrush (again verify that your layer mask is clicked on!).

^STEP 9:  (Optional Step):  Reduce The Opacity/Strength Of The Colors
I always feel that bringing back the full strength of color in an image is just too intense/harsh.  For this reason I like to make it sort of a blend of half black and white/half color.. this tones down the coloring a lot and makes it look much more gentle and blends better.  (This is just my opinion and what you like may be different!  I compare a full strength color pop image to a partial strength color pop image here if you’d like to compare for yourself).

^This is the image with the coloring reduced by 50%.. it blends much better.

I’d like to make a quite note that the above images are not ones that I would choose to do.. They are only edited this way for the purposes of this article.  If I brought back color to anything I would choose the boots but for the purposes of this article I wanted to choose something that was easy to see and overall I just prefer this photo in color :).

I really hope this helps you all learn some more about how to use layers in Photoshop and how to add color to a black and white image!

-Christine Ann

Duluth MN Photographer

What Equipment You Need For Off Camera Flash Photography [With Links]

For many years I put off working with a flash.  The few times I did the photos looked kind of .. bad.. and unnatural and I just couldn’t get the results I wanted so I pretty much just avoided it.  One day  I was thinking about how other photographers get stunning photos with a flash and that there is a way to do it, and I wanted to figure out how.. and so began my journey into learning off camera flash.

A lot of others are in the same position I was in and don’t know where to start.  For this reason I’d like to share my “start up” kit.  This is valuable information to be sharing because it was no easy task to figure out exactly what I needed and what is compatible with what.

What do you need to do off camera flash?

1.  A flash
2.  A Stand
3.  Triggers
4.  A diffuser

This is it!  This is the bear minimum to accomplish off camera flash (well for the bear minimum you can remove diffuser as you don’t “need” it but.. trust me, you really want it..).

1.  A Flash – $259.00 – I started with a Canon Speedlite 430 EX II.  I love this light and it is a great place to start.  You can shoot in manual or ETTL, you can rotate the flash to aim it in any direction you want – behind you, up to the ceiling, against the wall, or straight on.  This is great because  it’s nice to  have the option to bounce the flash vs shooting it straight on, but that’s a topic for another day :).  This flash is a slave only so if you ever want to shoot with 2 flashes you will need to get the Speedlite 580 to control the 430 but if you only need one flash the 430 does the job.
A great (cheaper) alternative to the Canon Speedlites is the Yongnuo brand (around $70).  I haven’t used these yet but I frequent many photography forums and a ton of people have great things to say about them!  I may get a Yongnuo as  a master flash to connect with my Speedlite.

2.  Light Stand – $27.95 – that is the light stand I bought.. it’s a great stand :).  It goes up to about 6′ high and as low as maybe around 2′.  It comes with an umbrella attachment which is essential for the softbox I use but also good for using umbrellas which are nice to use when you want something light and portable.  It also comes with an umbrella 🙂 although I rarely use it.
Another option for a light stand is buying a simple hot shoe stand – about $10 including shipping.  this is a very simple way to move the flash around the room!

3.  Triggers – $82.89 – These are the triggers I use.  I have a Canon Mark II 5D and a Canon 430 EX II Speedlite.  These triggers seem pretty universal but you’ll want to verify that they are compatible with your camera and light.  They are wireless and are compatible with the Speedlite.. I have no complaints :)!  It took me a lot of research to figure out which triggers to buy!  I didn’t start with wireless triggers.. the first trigger I bought was a cord which connected to the flash from the camera and it works very well, but I am liking the freedom of wireless (although dislike how many batteries I’m going through nowadays).  There are cheaper cords but I wanted something long enough to be able to move around away from the camera so I invested in a longer cord.  I really like having a cord and wireless trigger in case the wireless trigger ever stops working I have a reliable backup.  Or if I don’t want to set up the wireless triggers I can use it faster :).

4.  A Diffuser – $169.90 – A diffuser is something the light shoots through to make it softer/more spread out and less harsh/direct.  When you shoot straight on it can be too much light and very harsh so a diffuser really  helps.  I started out using the umbrella that came with my stand and upgraded to one that is a 50×50 softbox.  There are tons of diffuser options though and different shapes and sizes.  You can choose circular ones, octogons, squares, rectangles.. the shape you choose will affect your photography so maybe do some reasearch on this before you pick something.  This diffuser I chose attaches to the light stand via the umbrella port.  There are also translucent umbrellas, silver umbrellas, softboxes, and PMS or you can simply aim the flash towards a white wall and bounce it.
If you buy a 5-in-1 reflector (we’ll discuss that in a minute) it comes with a diffuser in it so one option would be to shoot the flash through the diffuser that comes with the reflector.  I haven’t tried this, personally, but it seems like it would work well.

That’s all you really “need” to start doing off-camera flash!  However if all your light is coming from one direction you will find some shadowing occurring at times.. for this reason it’s really nice to have 2 flashes or a flash and a large reflector.  This is the setup I use.. (flash + reflector).

What you need to add a reflector to your off camera flash setup:

1.  A Reflector – $14.80 – I use a 48″ circular reflector but there are many different sizes and shapes to choose from.

2.  A Light Stand – $27.95 –  I use the same stand for my reflector as I do my flash, I just added a boom onto it :).

3.  A Boom – 29.95 – It’s essentially an “arm” that attaches to your stand and you can add a reflector to it.  The arm is adjustable and accommodates my 48″ reflector as well as my smaller sized one (22″).

I was taking some practice shots tonight and these are taken mostly with 1 430 ex speedlite behind a 50×50 softbox off to my left side.  There is a reflector off to the right and it did reflect some light but I didn’t have it aimed to directly reflect light, so while it made some fill, it didn’t make it to its maximum capacity.

^  this photo was just taken with a softbox and no reflector.. I am sitting in front of the diffuser (you can see my reflection in the eyes!).

So there it is!  Everything I needed to really seriously get into off camera flash.  This is a great place to start however as you “master” the art of one flash, you’ll want to start adding in more 🙂 and upgrading equipment.

Hope this helps someone [or lots of people..] out!

-Christine Ann

Duluth MN Photographer Website
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