Add A Person Into A Bubble – Photoshop Tutorial – Combine Two Photos Together

Adding A Person Into A Bubble – Combining Two Photos Together – Merging Two Photos – Photoshop Composite – Photoshop Tutorial

This is going to look long at a glance but it’s actually not hard to do at all.. it looks long because I took a screen shot of every move to help out beginners.. When I was trying to use Photoshop they would say “duplicate the layer”, assuming I knew how, and I didn’t.  So I prefer to be extra thorough :).

This is a tutorial on how to add two photos together.. in this one in particular, we’ll be adding a shot of me into a shot of a bubble.
This will be the final product:

These are the original images:

^That’s me BTW :).  Anyway, open both photos in Photoshop that you want to merge together.  Copy and paste the photo onto the other photo.. in this case I’m going to copy and paste the photo of me on top of the photo of the bubble.

^The photos are both from different cameras, and the bubble photo is smaller than the photo of me taking a picture (please ignore the lens cap :p I edited it out of the final edit!).  Anyway, so I need to make this file smaller.

^Back in the original file, I go to “Image” “Image size” and reduce the size of it and copy it again to bring over and paste.

^Now it is smaller but it’s too small.. this is easy to work with though…

^Select the marquee tool and click and drag it over the image

^Now it is selected..

^Right-click within the selection and select “free transform”

^Hold down the shift key which will retain the proportions of the image and click and drag the arrows to make the image bigger or smaller.

^Next, be sure that the top layer is clicked on, then click the little square towards the bottom of the layers palette (the layer mask tool) and click it.

^You now have a layer mask on your top layer!  This will allow you to add and subtract from the top layer via the paintbrush.  Select your paintbrush and be sure its color is set to black.

^Ensure your layer mask is clicked on and now you can paint on the image to make it disappear!

^The image after painting with the black paint brush.  But now I’ve removed too much of the image and need to bring some of it back..


^Turn your paintbrush white and paint wherever you’d like to bring the image back.

^Image after bringing back some of the image.. it still isn’t aligned perfectly because it’s hard to tell where the bubble is exactly.

^To gain the ability to see the bubble below it, reduce the opacity of the top layer.  The opacity determines how “see through” the top layer is.. by reducing the opacity we can see underneath it to better determine where the lines of the bubble are.

^At this point, you could be “done” if you wanted to be.. but if you want to perfect it more, there’s some additional steps.
First, reduce the opacity of your brush.. set it to around 5-15 and paint over very select spots to make it look more 3D (the paintbrush at such a low opacity will only take off a tiny bit at a time vs a lot at a time).  I chose to paint around the bubble (so there is less image on the outsides, so it’s strongest in the middle and most faded on the outside, helping it have the round appearance).  I also painted additionally off on the colorful lines of the bubble also to help show the shape of the bubble.

^Now it’s decently aligned (I ended up cleaning it up again later..).  This is a really good time to “save as .psd” so if you need to come back to it later, you can.

^Now, right click on your layer mask and select “apply layer mask”.

^Right click on your top layer and select “screen”.

^This was my final verdict on this edit.. top layer opacity 60% with a screen applied to it.  I still have a few things left to do..

^Right click on the top layer and select “flatten image”.

^Right click on your layer and select “duplicate layer”.  This will create a second layer.



^Ensure the top layer is clicked on and click the dropdown arrow and select “overlay”.  This will help blend, sharpen, and increase colors.

^I felt there were a few additional edits to be done so I took the final edit and layered it with the original, used the eraser tool to erase away some of the edges to give it more of a 3D look.  I used the burn tool around the diameter of the bubble and I also used Coffeshop Blog’s Perfect Portrait Action on this.. I used “Urban Grit” @ around 20% and “Eye Define” at around 50%.  If you do not know how to use layer masks with actions, I have a blog post explaining How To Run An Action With Layer Masks here.  I believe there is also a tutorial on Coffeshop Blog’s page.

^This is my final edit.  Not perfect & I think it’d look cooler if the photo I merged in were in color but oh well.. and hopefully this blog post gave you enough information to be able to do what you’re wanting to do!

If you have any additional tips or resources, leave them in the comments below :).

-Christine Ann
Duluth MN Photographer

How To Add Color To A Black & White Image With A Layer Mask/Photoshop Layers Explained

A Beginner’s Tutorial On How To Use Photoshop Layers, Layer Masks, And Bring Back Color To A Black And White Image (All-In-One!) With Image/Screenshot Examples
*Note:  This article might look long/hard but it’s because it’s written assuming you know nothing about how to use Photoshop so it’s just very thorough.. this is VERY easy and fast to do!

Many years ago my husband got Photoshop for me.  I was super excited.. I opened it up and was so overwhelmed I didn’t open it up again for another year!!!!  WHen I did open it up a year later, it was because I had seen an image on Facebook and someone noted on it “Edited with auto color in Photoshop”.  “Auto edit????  I can do that!”.  And I excitedly opened it back up.  Once it was re-opened I started playing around with it more and learning new things about it.  I was still very confused about how you could add color to a black and white image and my husband explained it like this: Imagine you have 2 photographs.. a color photograph, and a black and white version of the exact same photograph.  Imagine you put the black and white photograph on top of the color photograph and then take an eraser and erase away parts of the black and white image to reveal the color beneath it.  ta-da!  Like magic, I now understood the concept of Photoshop layering! The very first thing I learned how to do with layers was add a pop of color to a black and white image.  You can do it as I stated above (layer a bw image on top of a color image and use the eraser tool to erase away the bw image to reveal color) but the issue with doing it that way is.. what if you make a mistake?  What if you erase away too much?  You cannot go back to add the black and white back.  For that reason I want to teach everyone how to use a layer mask.  With a layer mask (VERY easy to do!!!!) you can remove parts of the top layer AND bring them back again!  And you can use it for endless different projects beyond a selective coloring/color pop image! I’m a very visual learner so that’s how I like to explain things as well.

^STEP ONE:  Open The Image
We’ll start with what your image looks like when you open it in Photoshop:

^STEP 2:  Duplicate Layer
This is the step where you layer 2 images on top of one another.. do do this by going to the layers palette, right click on your layer, and select “duplicate layer”.  You can also simply go to your menu on top of the screen and click “Layer>New>Layer From Background”.

^STEP 3:  Turn The Top Layer Black And White
Make sure your top layer is highlighted in the layers palette and then turn your image black and white :).  You now have a black and white image on top, and a color image on bottom.

^STEP 4:  Add A Layer Mask
This is where you add the layer mask I was mentioning earlier.. this mask will allow you to remove parts of the black and white image as well as bring back parts of the black and white image.

^STEP 5:  Select A Black Paintbrush
Your layers palette should now look like this.. the white box next to your bw image is the layer mask.  You will use the black paintbrush to remove the black and white image, and the white paintbrush to bring back the black and white image.

^STEP 6:  Verify Your Layer Mask Is Selected
If you have anything other than the layer mask selected, this will not work and the paintbrush will work normally (adding a white or black streak on the image).

^STEP 7:  Paint Anywhere You’d Like To Add Color Take your paintbrush and paint anywhere you’d like to add color!  It’s that easy!  If you run over the lines, it’s okay.. you can turn it back to black and white which we address in the next step.

STEP 8:  Select The White Paintbrush To Bring Back The Black And White Image
Change the color of your paintbrush to white and paint over anywhere you did not want to bring the color back.  It helps to scroll in very close to the image, use a brush that isn’t 100% soft, and make the edges as clean as possible.  It looks very sloppy when the color runs outside the lines.

^The image after cleaning it up with the white paintbrush (again verify that your layer mask is clicked on!).

^STEP 9:  (Optional Step):  Reduce The Opacity/Strength Of The Colors
I always feel that bringing back the full strength of color in an image is just too intense/harsh.  For this reason I like to make it sort of a blend of half black and white/half color.. this tones down the coloring a lot and makes it look much more gentle and blends better.  (This is just my opinion and what you like may be different!  I compare a full strength color pop image to a partial strength color pop image here if you’d like to compare for yourself).

^This is the image with the coloring reduced by 50%.. it blends much better.

I’d like to make a quite note that the above images are not ones that I would choose to do.. They are only edited this way for the purposes of this article.  If I brought back color to anything I would choose the boots but for the purposes of this article I wanted to choose something that was easy to see and overall I just prefer this photo in color :).

I really hope this helps you all learn some more about how to use layers in Photoshop and how to add color to a black and white image!

-Christine Ann

Duluth MN Photographer

Why your photos are blurry (with image examples)

One long time mystery amongst people who take photos is “why are my photos blurry?”. The answer is much more simple than you probably realize but will take a moment to explain.

Photo from December 2010 😉 – camera settings this photo was taken at are listed later in this article.

There are 3 major components which determine how your photographs turn out.. one of those components is what your shutter speed is.

What is a shutter?
Picture a stage with curtains that open and close. This is, essentially, what a shutter is. It opens and closes (this is a video of a shutter opening and closing). The shutter is the sound you hear when you take photos – you can hear it open and close. Sometimes it opens and closes very fast and sometimes it opens and closes very slowly. When the “curtain” (shutter) is open, it captures ALL movement in the photo up until it closes. Hence, when it opens and closes fast it “freezes” the moment and does not capture any blur; when it opens and closes slowly, it captures a lot of movement.

The shutter is responsible for 2 things:

1. It contributes to how light or dark the photo is

2. It is the reason your photos turn out blurry or not blurry (*from motion blur – Photos being out of focus can make them blurry in an “out of focus” way which is not due to the shutter).

If you are getting motion blur in your photos there is one simple answer for it: Your shutter is staying open too long.

So, what causes the shutter to stay open for too long?

Low lighting.

Now that I’ve said that you’ve probably realized that most of your blurred photos were taken indoors or at night.

Why does it stay open long in low lighting? Because the longer the shutter is open, the more light it lets in. Photos NEED light. If there isn’t much light, your camera needs to do things to make sure it gets enough light, otherwise you will be left with a black photo.

The photo at the top of the page was taken at the following settings: f/3.2 ISO 640 Shutter speed 1/8 (aka too slow!!!!).. that means it was open for 1/8th of a second which sounds fast but it isn’t fast enough for kids who move around. I usually try to stay around at least 1/100, and ideally a little higher, when photographing kids (what speed you set changes based on your lens and what you are photographing; things that are sitting still can be photographed at a lower shutter speed but you still have to shoot fast enough to avoid camera shake from your hands unless you are using a tripod).

How to Avoid Motion Blur in Your Photography

The easiest and most simple way to avoid motion blur in your photos is to get more light! Take your photos outside or closer to a window. You can also just turn more lights on inside but then you might want to be aware of your white balance because a lot of photos taken indoors will have an orange/red tint due to incorrect white balance (<– article about that tint and how to avoid it).

The last option is to use your flash. Most professional photographers will agree that the flash built into your camera is not good and actually hurts your photos. My rule for using in-camera flash is only use it if the alternative is a super blurry or black photo. A photo with flash is better than a blurry or dark photo. The other option for flash is to buy an external flash – one you can take off the camera and diffuse it. This is the ideal option if you need to use flash (I will write more on this later!). I try to shoot outdoors as much as possible :).

If you own a DSLR there is another option for eliminating motion blur: Set your own settings and tell the shutter what its speed needs to be.

There are two modes in which you can do this:

TV Mode. TV mode is found on your dial and it is “shutter priority mode”. Shutter priority means that all other settings are formed around your shutter speed.. so you tell your camera what your shutter speed needs to be, and it figures everything else out for you. It is a good setting for people starting out with their DSLRs – however there can be consequences to this such as your camera may bump up your ISO, causing your photos to be grainy, or shoot at too high or low of an aperture, losing the “blur” effect or giving you too much of a blur effect.. however you can guarantee they won’t have motion blur 🙂 and sometimes you have to made decisions like that (ie I’ll have a grainy photo instead of a blurred photo) because when there’s not enough light, something’s gotta give.

M Mode (Manual Mode). This is ideal. This is the mode most professional photographers shoot in. You tell your camera exactly what the settings need to be and it shoots at that regardless of what it would want to do in auto mode. You set the shutter speed (if you’re getting motion blur you increase the shutter speed), you set the aperture, you set the ISO.. you can understand what is happening in the photo and what the outcome of the photo will be based on your settings, however it requires more knowledge than TV mode so it’s perfectly fine to start with TV mode and keep working towards M mode.

The fun part of understanding how the shutter affects your photos is that you can use it to intentionally capture motion blur and make some interesting photos! Leaving the shutter open on purpose is called Bulb Photography.

To do bulb photography you must put your camera on a tripod so it stays perfectly still (otherwise there will be camera shake which will hurt the photo) and then have the subject move around while you leave the shutter open and capture all the movement.

Here are some examples of the camera being on a tripod with the shutter left open:

f/3.2 ISO 6400, shutter: 1/25.

Notice in the bottom right photo you can see 2 red streaks in the background – those are the taillights of a car :).
Settings: f/11 ISO 500, shutter speed 4 seconds (shutter was open for 4 seconds).

Settings: f/11 ISO 500, shutter speed 7 seconds (shutter was open for 7 seconds). I was wearing all black to minimize being seen and did additional editing to completely “disappear” from behind the sparkler otherwise you would see me as motion blur in the background :).

(My white balance is off in this photo which is why it has a red/orange tint).

Most photos of the sky at night are done on a tripod with the shutter left open.. it allows the camera to pick up many stars. When I do exposures like this, the camera “sees” many more stars than I can.

—–
Fast shutter speed:

Just to contrast these photos with slow shutter speeds, here is an “action shot” frozen because of the fast shutter speed

ISO 100, f/9.0, shutter speed: 1/320 Please ignore the harsh lighting :p I only posted to show a photo taken with a fast shutter speed 🙂 she is mid-jump and there is no motion blur! At a low shutter speed there would be a ton of motion blur.

-Christine Ann
Duluth MN Senior Photographer Website
Facebook

Instantly Improve Your Editing With Layer Masks

There are about 5 million different things you can do to edit a photo in Photoshop.  Some of the things you learn will be totally pointless and some will be invaluable.  I am going to brush up on one of the most valuable editing techniques (in my opinion):  how to add a layer mask to your layers and why they are important.  This will benefit you in so many ways!  And it is SO EASY! Learning new things in Photoshop is always intimidating but this is literally something you can do in a couple clicks.  (To summarize:  you layer 2 photos on top of each other, click the layer mask button, select a black or white paintbrush to hide/reveal the bottom image and that’s it!). Directions for adding a layer mask: Open up a photo in Photoshop.  Pick another photo to layer on top of it (you can just copy and paste it on top).  Click on the top layer so it is highlighted and then click the square with a circle inside it at the bottom of the layer palette (The layer palette is where you see all your layers towards the right side of Photoshop).  The icon I am referencing, if you hover your mouse over the top of it it will say “add layer mask”.  It looks like this: Click on the white box that appears next to your top layer. That’s it! You are done, you’ve applied a layer mask! Now how do you use it?  Also very easy.  Select the paintbrush icon and make the color that it paints white.  (Image below shows where to select the paintbrush and where to change the color of it at). Paint wherever you’d like to reveal the image below and you will reveal the image beneath it!  If you make a mistake simply change the “white” color of the brush to black and it brings back the original image. ^ Example Photos: Color photo on bottom, black and white photo on top, layer mask selected (you select it by just clicking on it), select the paintbrush and make it black and just start painting.. it will reveal the photo beneath it.  If you make a mistake and want to bring the black and white image back, simply turn it white, like in the second photo.  :). Boom.  Done :). This method is perfect for head swaps (place the new face underneath the one you want to change and reveal the photo below it).  It is also perfect for doing selective coloring (adding color to black and white images).  You can change the background of your photo by adding a nice background behind the image and masking the original background off.  You can edit things out like power lines by moving the bottom image a few centimeters to the right and masking  them out.  There are so many possibilities! TIPS: 1.  You can change the opacity of your brush.. so if you only want to kind of reveal the background but not entirely, just set the opacity of your brush 50% (vs 100% and it will only bring 50% of the background in and leave 50% of the original intact.  You can also build on it by changing it to 10% and doing another round, bringing it to 60% revealed).  It looks much  more natural if you build up in that way vs just doing it at 100%! 2.  If you right click on the “background” (the bottom) layer and select “layer from background” you “unlock” the layer and can now move it around.  You need to be sure to highlight (click on) this layer when you want to apply changes to it (such as moving it.  You can move it using the move tool).. and then when you want to apply the layer mask with the white and black brush, be sure to click the white box next to the top photo :).  Any changes you make will occur on whatever is highlighted in the layer’s palette. 3.  There is a learning curve to using layer masks in a realistic way.. such as when you get to the edges you need to make the brush smaller and that it really  helps to lower the opacity of the brush to blend it better.  But after a few rounds of practicing you’ll start learning how to do it better and better. If you have any questions, please feel free to ask! -Christine Ann [website] Duluth Photographer Christine Ann Photography Facebook Maternity, newborn, senior, wedding, family, children, portrait photography.

Understanding The Why of Why Your Photo Turned Out Well.

Random late-night thought.. A friend of mine implied that people who take nice photos have nice equipment. This is a common thought and yes nice equipment helps and yes most people who take nice photos are very invested into photography and therefore own nice equipment but when you have nice equipment you also need to understand how to use it! And we all have heard of the iphone fashion shoot, showing us you can still take nice photos with less nice equipment.
Anyways the whole point of this blog post is to explain something important: Anyone can and very likely will capture the occasional stunning image based on pure luck. A professional understands how to make the stunning image happen on purpose. I am truly amazed by all the consideration that goes into a photo before taking it if you are looking at it with a trained eye!
Some things to take into consideration before taking a photo: your camera settings, your background/location, the direction the person you are taking photos of is facing, where the light is coming from and where the light is landing on your person you are photographing, where the sun is at in the sky, how the person/people are posed, how cropped into the image you are/how close or far away you are from the people/the background-to-person ratio, the angle of your camera, how the image is composed, what the focal point is, keeping lines parallel, keeping open space even, if you are using a flash or not. etc.
You can still get nice photos by shooting wherever you want without taking these things into consideration but the question is: can you replicate the nice images you get on purpose? I was taking photos for many years before starting a business. I never knew when the right time to become a business was. In retrospect, I think the right time was when I finally understood the many many elements that go into a photo so that I knew exactly where to place people and how to make sure I wasn’t riding just on luck. It also took awhile (and lots and lots of practice) to train my eyes!
I remember the first time I learned the rule of composition concerning “parallels” (keep your lines parallel) I decided to practice and it was so awkward for me to try paying attention to parallel lines in the image! Now it’s just totally natural and instinctual. I also missed many details like an unbuttoned button or a collar not folded down nicely. Now I notice stuff like that pretty easily :).
So train your eyes to notice the details, start paying attention to your photos and take note of what you like about the image and do not like. Pay attention to how the light was hitting the person you photographed and what time of the day it was and what your settings were set to. This is all pretty awkward at first but it all comes with practice! It’s like when you first learned how to type.. super awkward and uncomfortable and now it’s just a natural instinct!

This photo could have gone horribly wrong had I positioned them at a different spot.. but because of the knowledge I have accumulated, I understand how to position people for the best results.

-Christine Ann
www.christineannphotos.com
www.facebook.com/christineannphotos
Duluth Minnesota/Superior Wisconsin Photographer

How to Capture A Sparkler’s Movement Tutorial (/How to do bulb photography).

With 4th of July recently coming and going, you may be seeing photos around of people drawing pictures with a sparkler and wonder how it is done.

What you need: a tripod, a camera on which you can leave the shutter open for various lengths of time, a remote clicker, and a black outfit (if you don’t want to be seen in the background).

Set your camera on the tripod, set it to BULB mode (different on all cameras, you will have to refer to your manual if you do not know. One typical way is that you set your camera to M and then make your shutter speed as slow as possible.. once it gets maxed out to “as slow as possible” it will say BULB. My camera has a B setting on the settings wheel to get there, so all cameras are different). Once the camera is on the tripod in bulb mode, determine exactly where you want to stand. Mark the spot! Set the camera to Manual Focus, then manually focus on the spot you are standing because the camera will have a hard time auto focusing in the dark). Once the focus is set, then press down on your remote clicker, do a few trial runs to figure out the best settings. My settings for the above photos were around f/16, ISO 640, 4 second shutter speed. I also worked at f/11 ISO 500. Other settings will definitely work too that’s just what I chose to do. My camera also handles high ISOs quite well so I don’t get scared to bump it up though as a general rule I prefer keeping it much lower. Once the camera is on the tripod, the focus is set, and the settings are right, stand in the spot, activate the shutter and move the sparkler around in the shapes you want and when you are done let go. That’s it!

When a shutter is open it captures all movement that occurs while it is open (this is why it needs to be on a tripod! If your hands move at all the camera will capture the movement of the camera). The tricky part is that while it is open it is also absorbing light.. so if you leave it open too long the photo can be blown out if you have streetlights around you especially.

You see in the lower right photo there is a red light streak behind it, that is the taillight of a car driving by.. so this idea works for lots of different things!

Oh and I recommend wearing black because I was wearing pink at first and you can see me pretty easily standing behind the sparklers (as you can see in the lower left-hand corner photo). I later changed to black and the problem was solved. The other adjustment I made is I was initially working with a streetlight behind me and I later figured out was sort of ruining the photos. I moved to a spot about 10 feet away and it solved that problem 🙂 .

My favorite shot of the night I ended up compositing 2 shots together 🙂 and then editing a couple little blurbs in the background so that it all looked totally black/dark.

Remember if you are writing a word you have to write it backwards! 😮 . It is both easier than it sounds AND harder than it sounds haha.

Oh and if I have one more tip for everyone.. buy the big huge sparklers and maximize your time much better!

-Christine Ann
http://www.christineannphotos.com
“like” me on Facebook 🙂 ! https://www.facebook.com/christineannphotos
Duluth Minnesota Photographer

Why Photographers Hate the Words “Your Camera Takes Nice Photos”.

Today I was photographing some flowers and my kids asked me why I was taking them in the spot I was. The reason was because it put greenery in the background and the lighting was hitting the spot nicely. I considered the background, how the light hit it and caused reflections, I set my camera settings manually to what I thought would capture the image best. I kept the flowers far enough ahead of the background to cause a nice blur. I decided which camera and lens to use for the shot. I applied knowledge about composition and which rules I would want to follow and not follow (and why). I positioned myself at the right angle to hit it in the right direction. After my kids asked me about why I was photographing at that spot I decided to try a shot at a spot I wouldn’t usually choose to illustrate that yes you may have a nice camera that helps you take nice images but you are still responsible for a large portion of how the image turns out.

The photo I took using my knowledge:

The photo I shot in a spot I wouldn’t choose with the knowledge I have, though I did manually set the settings to good settings which gave it any nice quality it does have as far as the coloring and vibrance goes:

Both images are right out of the camera and unedited.

This is why photographers hate the words “your camera takes such nice photos”. If you’ve developed an eye for the “right” spots, you can get great images off less nice cameras.. if you have not developed an eye for the right spots, a nice camera isn’t going to help you much, at least not consistently/predictably 🙂 .

-Christine Ann
Hermantown Minnesota Photographer

http://www.christineannphotos.com/
www.facebook.com/christineannphotos